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  <url>
    <loc>https://www.euanlynn.com/work</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1522764533709-1RQVDECTFB1KCV0IEE6O/Euan+Lynn+-Trellick+Tower+%282016%29.jpg</image:loc>
      <image:title>Euan Lynn - Trellick Tower</image:title>
      <image:caption>Digital photograph. 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1528374056930-JLCXAHBLI4CHB3QGL69P/DSCF8488.jpg</image:loc>
      <image:title>Euan Lynn</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1582125657619-QHW4RCYOC1OC2F3R0TG3/image-asset.jpeg</image:loc>
      <image:title>Euan Lynn - The Road To The Holy City</image:title>
      <image:caption>Performative guided tour, produced as Newcastle-Upon-Tyne Modernist Society in collaboration with Dr Mike Jeffries. Commissioned for the Newcastle Walking Festival Of Sound 2019. Photograph by Jacek Smolicki. “Join the Newcastle-Upon-Tyne Modernist Society on an expedition into the Brasilia of the North to commune with the ghosts of a lost future, journeying along the route of the Central Motorway. Expect the spirits of Newcastle's modernist heyday to be invoked in underpasses, tales of cities that could have been retold beneath flyovers, and search for signs of ghosts as the paths wind their way above, below, and between the levels of Motorway. Was that sound just a car? Or could it be the spirit of T Dan Smith?”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1528375746719-0UUYVBUM32W6FLV6KO0C/Art+Concret+cover.jpg</image:loc>
      <image:title>Euan Lynn - Art Concret</image:title>
      <image:caption>Self published xerox-print zine, 18 pages, A5</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1699025171919-HONVB337W3HN6UN346CP/image-asset.jpeg</image:loc>
      <image:title>Euan Lynn - Newcastle-Upon-Tyne "Mooch" for The Modernist Society</image:title>
      <image:caption>A two-day event, as part of The Modernist’s Mooch series, organised and delivered by myself and Stephen Marland. The tour took in Newcastle University, The Farrell Centre, Newcastle Civic Centre, the Central Motorway, Manors Car Park, BALTIC Centre For Contemporary Art, the Byker Estate and the Metro system. Photo by Stephen Marland</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1495143101270-HJI97GKQG4I2XORYL0WB/Drawing+2015.jpg</image:loc>
      <image:title>Euan Lynn - Drawing</image:title>
      <image:caption>Cast wax objects used in Drawing performance. Wax. 2.5 cm x 2.5 cm. 2015. Each shape - circle, square or triangle - is cast with either a woodgrain texture, or the texture of broken concrete. These were handed out to participants, with the instruction to use them to draw on something within their environment they felt an attraction to - mimicking the action of skateboarders rubbing wax on surfaces to make them slick enough to perform tricks on, and allowing the participants to key into different ways of reading the city.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1634316653134-052SUHKNW6HR133I95UH/DSCF0617.jpg</image:loc>
      <image:title>Euan Lynn - Newcastle, Endless</image:title>
      <image:caption>Digital photograph, 2020 Click image for more information. Images produced to illustrate poems by Alex Niven, published in Newcastle, Endless by Canalside Press</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1711462450907-GO8HS4KRBIO0TCD4O4I1/Polaroid.jpg</image:loc>
      <image:title>Euan Lynn - Construction Fencing, Taxi; Manhattan, NYC, 2023</image:title>
      <image:caption>Polaroid photograph</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1727527422119-MBWIQGK9UUYQB0RS472W/IMG_7123.jpg</image:loc>
      <image:title>Euan Lynn - Concrete Dreams exhibition, Farrell Centre, Newcastle</image:title>
      <image:caption>Featuring Manors Car Park (2020) and Byker Estate (2016) photographs, alongside digitally distorted versions of each printed on fabric, and used as wall drapes or coverings for vitrines. Pictured here: Manors Car Park (2020), back right, with distorted fabric hanging to the left. In centre: distorted fabric version of Byker Estate (2016) covering vitrine containing archival Tyne &amp; Wear Metro objects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1618579933529-741K3JR2LV3R08H8QR6Y/Polaroid+45.jpg</image:loc>
      <image:title>Euan Lynn - This New Road Is A Blessing (Gateshead Highway)</image:title>
      <image:caption>Polaroid. 2020. Produced as part of the Collective Studio’s online iterative exhibition 3rd Wave</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1522763740870-VT3ATM8TZNLNST33QZGO/image+36+edited.jpg</image:loc>
      <image:title>Euan Lynn - Three Trips To The Central Motorway</image:title>
      <image:caption>115 35mm colour slides, field recorded audio. Dimensions variable. 2017. Click image for more information</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1767715168321-TIFXDW1T1RBGGZ4L73HG/p1050886.jpg</image:loc>
      <image:title>Euan Lynn - Newcastle-Upon-Tyne "Mooch" for The Modernist Society</image:title>
      <image:caption>A two-day event, as part of The Modernist’s Mooch series, organised and delivered by myself and Stephen Marland. The tour took in Sunny Blunts estate in Peterlee, Newcastle’s walkway systems, the Central Motorway, Manors Car Park, Newcastle Civic Centre, the Metro system and the Byker Estate. Photo by Stephen Marland</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.euanlynn.com/pavilion</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1497205298334-CJ8STHHJVGXMF7MPLJMW/IMG_0317+1.jpg</image:loc>
      <image:title>Pavilion</image:title>
      <image:caption>Concrete, polystyrene, wood, fabric tape, screen print on newsprint. Dimensions variable. 2016. Produced in collaboration with Oliver Perry and Kitty McMurray.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1497205298334-CJ8STHHJVGXMF7MPLJMW/IMG_0317+1.jpg</image:loc>
      <image:title>Pavilion</image:title>
      <image:caption>Concrete, polystyrene, wood, fabric tape, screen print on newsprint. Dimensions variable. 2016. Produced in collaboration with Oliver Perry and Kitty McMurray.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1497205373614-PXB13JNSFOSEJKTPVP2O/IMG_0342+1.jpg</image:loc>
      <image:title>Pavilion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1497205434996-Z8L9CP46DGZJ3636GPVP/IMG_0350+1.jpg</image:loc>
      <image:title>Pavilion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1497205300888-614P7WBKVFAP5D2P5CUM/IMG_0328+1.jpg</image:loc>
      <image:title>Pavilion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1497205460382-IOSF5OGGB3NJ6ABXRN25/IMG_0351+1.jpg</image:loc>
      <image:title>Pavilion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1497205481936-NDG93DMGS8NIAP9Z3H4A/IMG_0352+1.jpg</image:loc>
      <image:title>Pavilion</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1497205354447-33XIS3JH5CA3OLA0YHS5/IMG_0330+1.jpg</image:loc>
      <image:title>Pavilion</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.euanlynn.com/three-trips-to-the-central-motorway</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-03</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/591c95ccb3db2be22a003bcc/t/5ac3879daa4a99295f4919f5/1522763671444/</image:loc>
      <image:title>Three Trips To The Central Motorway - Three Trips To The Central Motorway (Installation View)</image:title>
      <image:caption>115 35mm colour slides, field recorded audio. 3 visits along Newcastle's Central Motorway, documented through one roll of colour slide film each, which is shown in its entirety. Mistakes, thought processes and immediate reactions are represented both visually and through audio recorded whilst making these trips. Shown across three separate projectors, the multiplicity of experiences within this major aspect of Newcastle's post-war reconstruction, and the optimism and politics contained in that gesture, clash head on - architecture and functional construction, socialist modernism and isolated streets in the sky, the future as it was meant to be and the past as it never was.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/591c95ccb3db2be22a003bcc/5ac3823aaa4a99295f483c0b/5ac3878103ce6421fdc790aa/1522763671444/</image:loc>
      <image:title>Three Trips To The Central Motorway - Three Trips To The Central Motorway (Installation View)</image:title>
      <image:caption>115 35mm colour slides, field recorded audio. 3 visits along Newcastle's Central Motorway, documented through one roll of colour slide film each, which is shown in its entirety. Mistakes, thought processes and immediate reactions are represented both visually and through audio recorded whilst making these trips. Shown across three separate projectors, the multiplicity of experiences within this major aspect of Newcastle's post-war reconstruction, and the optimism and politics contained in that gesture, clash head on - architecture and functional construction, socialist modernism and isolated streets in the sky, the future as it was meant to be and the past as it never was.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1522762599490-X0H4I33WD3KKPW2OJJED/image+15+edited.jpg</image:loc>
      <image:title>Three Trips To The Central Motorway - Film 1, Image 15</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1522762619259-4H75LVAP20VCIU1YFIZD/image+36+edited.jpg</image:loc>
      <image:title>Three Trips To The Central Motorway - Film 1, Image 36</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1522762468310-IB47AI3CZ0B7Z4ZA6DML/image+5+edited.jpg</image:loc>
      <image:title>Three Trips To The Central Motorway - Film 2, Image 5</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1522762354241-0LVZVHM67GDWJI9KOMHT/image+21+edited.jpg</image:loc>
      <image:title>Three Trips To The Central Motorway - Film 2, Image 21</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1522762834534-VUD8VKXZOTPE17UEYWX0/image+3+edited.jpg</image:loc>
      <image:title>Three Trips To The Central Motorway - Film 3, Image 3</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1522762860532-DDOCZK6UDS2CS70DKVYX/image+14+edited.jpg</image:loc>
      <image:title>Three Trips To The Central Motorway - Film 3, Image 14</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.euanlynn.com/boundary-markers</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-06-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1528373214170-EUIJGTKP8UZ4TIIHR67O/DSC_1723+edited.jpg</image:loc>
      <image:title>Boundary Markers - Installation View</image:title>
      <image:caption>Using concrete plaques, markers or boundary stones, the work aims to reactivate the built environment left by the partially-completed Brasilia Of The North project, as championed by left-wing council leader T Dan Smith in the 1960's. A brave modernist vision of our future that never came to pass, the partly built remnants form a defining part of Newcastle’s present-day cityscape. By utilising the material language of these spaces, and the formal language of the modernist art in which they find their roots, I want to draw attention to these unnoticed places, and reactivate the politics inherent in their design. Dibond mounted digital photographs, sizes variable. Each print is scaled around the concrete plaque in the image, so that it appears at the same size across all four prints.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1528373214170-EUIJGTKP8UZ4TIIHR67O/DSC_1723+edited.jpg</image:loc>
      <image:title>Boundary Markers - Installation View</image:title>
      <image:caption>Using concrete plaques, markers or boundary stones, the work aims to reactivate the built environment left by the partially-completed Brasilia Of The North project, as championed by left-wing council leader T Dan Smith in the 1960's. A brave modernist vision of our future that never came to pass, the partly built remnants form a defining part of Newcastle’s present-day cityscape. By utilising the material language of these spaces, and the formal language of the modernist art in which they find their roots, I want to draw attention to these unnoticed places, and reactivate the politics inherent in their design. Dibond mounted digital photographs, sizes variable. Each print is scaled around the concrete plaque in the image, so that it appears at the same size across all four prints.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1528373001051-PD5AGG16EO3DGADBA8WS/DSCF8466.jpg</image:loc>
      <image:title>Boundary Markers - Boundary Marker #1</image:title>
      <image:caption>Cast griptape in concrete, digital photograph</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1528372801061-1PVDGZT76IA4BFTV98D3/DSCF8440.jpg</image:loc>
      <image:title>Boundary Markers - Boundary Marker #1 (studio image)</image:title>
      <image:caption>Cast griptape in concrete, 19.5cm x 19.5cm</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1528373026435-3F2TFI9TB5ITVOCOUYT7/DSCF8488.jpg</image:loc>
      <image:title>Boundary Markers - Boundary Marker #2</image:title>
      <image:caption>Cast griptape in concrete, digital photograph</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1528372800224-QIYHEX3OGSGAS7LFY0Z8/DSCF8441.jpg</image:loc>
      <image:title>Boundary Markers - Boundary Marker #2 (studio image)</image:title>
      <image:caption>Cast griptape in concrete, 19.5cm x 19.5cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1528373077568-1X7033OO6EV6C711FY1A/DSCF8509.jpg</image:loc>
      <image:title>Boundary Markers - Boundary Marker #3</image:title>
      <image:caption>Cast griptape in concrete, digital photograph</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1528372822181-PVZ44YYN0O7N85L1E5YH/DSCF8444.jpg</image:loc>
      <image:title>Boundary Markers - Boundary Marker #3</image:title>
      <image:caption>Cast griptape in concrete, 19.5cm x 19.5cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1528373078631-QYDLB01OACJI785KUUSI/DSCF8636.jpg</image:loc>
      <image:title>Boundary Markers - Boundary Marker #4</image:title>
      <image:caption>Cast griptape in concrete, digital photograph</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1528372822648-48PAM96ZQZBBEKH4YANK/DSCF8523.jpg</image:loc>
      <image:title>Boundary Markers - Boundary Marker #4</image:title>
      <image:caption>Cast griptape in concrete, 19.5cm x 19.5cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1528373109125-VWJITO0OS9U31DFY582I/DSCF8642.jpg</image:loc>
      <image:title>Boundary Markers - Boundary Marker #5</image:title>
      <image:caption>Cast griptape in concrete, digital photograph</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1528372833789-Z613I3DFIG7U6EV43WOZ/DSCF8525.jpg</image:loc>
      <image:title>Boundary Markers - Boundary Marker #5</image:title>
      <image:caption>Cast griptape in concrete, 19.5cm x 19.5cm</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.euanlynn.com/part-of-the-bigger-thing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544626480168-VE527A3MPD94LW258HHP/image-asset.jpeg</image:loc>
      <image:title>Part Of The Bigger Thing - Part Of The Bigger Thing (film and live audio)</image:title>
      <image:caption>Combining video, synthesisers, field recordings and performance, Part Of The Bigger Thing investigates the politics behind and the remnants of Newcastle’s 1960’s transformation into The Brasilia Of The North. Shaped by political and utopian aspirations, the project came crashing down with former council leader T Dan Smith’s arrest and imprisonment on corruption charges. Left with a discredited, partially built future, how do we reconcile the evangelical zeal with which these structures were envisioned with the lived reality of their existence today? Focussing on Manors Multi-Storey Car Park – where the City of Tomorrow reaches its zenith – Part Of The Bigger Thing utilises field recordings of the car park and its surroundings, an electronic soundtrack and the words of City Planner Wilfred Burns to explore the contradictions of this bold reimagining of our city, over 50 years after its inception. This video presents the projected film from the installation and a four-track audio recording taken from the live performance at Gallery North Project Space, Northumbria University, Newcastle, 7/12/18. Fabric hanging and modified boiler suit produced in collaboration with Jenny Alderson “The essential feature is that the road is not seen as a road - in spite of it’s very great engineering complications - but as part of the bigger thing that is the characterful City centre of tomorrow” - Wilfred Burns, Newcastle: A Study In Replanning</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544626480168-VE527A3MPD94LW258HHP/image-asset.jpeg</image:loc>
      <image:title>Part Of The Bigger Thing - Part Of The Bigger Thing (film and live audio)</image:title>
      <image:caption>Combining video, synthesisers, field recordings and performance, Part Of The Bigger Thing investigates the politics behind and the remnants of Newcastle’s 1960’s transformation into The Brasilia Of The North. Shaped by political and utopian aspirations, the project came crashing down with former council leader T Dan Smith’s arrest and imprisonment on corruption charges. Left with a discredited, partially built future, how do we reconcile the evangelical zeal with which these structures were envisioned with the lived reality of their existence today? Focussing on Manors Multi-Storey Car Park – where the City of Tomorrow reaches its zenith – Part Of The Bigger Thing utilises field recordings of the car park and its surroundings, an electronic soundtrack and the words of City Planner Wilfred Burns to explore the contradictions of this bold reimagining of our city, over 50 years after its inception. This video presents the projected film from the installation and a four-track audio recording taken from the live performance at Gallery North Project Space, Northumbria University, Newcastle, 7/12/18. Fabric hanging and modified boiler suit produced in collaboration with Jenny Alderson “The essential feature is that the road is not seen as a road - in spite of it’s very great engineering complications - but as part of the bigger thing that is the characterful City centre of tomorrow” - Wilfred Burns, Newcastle: A Study In Replanning</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1547470423077-6T52LWBLPYXTJNO5DNU2/DSCF9408.JPG</image:loc>
      <image:title>Part Of The Bigger Thing - Part Of The Bigger Thing cassette and booklet</image:title>
      <image:caption>This package presents a recording of the artwork as performed on 6/12/18 at Gallery North Project Space, Northumbria University, alongside a booklet detailing the development of the work and documentation of the performance. A digital download of the audio is included. Available to buy from Newcastle-Upon-Tyne Modernist Society here: https://newcastleupontynemodernistsociety.bigcartel.com/product/euan-lynn-part-of-the-bigger-thing</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544626377065-UKPVULL2NNVCDIJVJ7TO/Poster.jpg</image:loc>
      <image:title>Part Of The Bigger Thing - Performance event poster</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544625901109-RQ45WZYD610LLYN2FBYK/DSCF9392.jpg</image:loc>
      <image:title>Part Of The Bigger Thing - Installation view</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>Part Of The Bigger Thing - Installation view</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544625942360-JMGNNU8J24YV1ZQQZOJ4/DSCF9396.jpg</image:loc>
      <image:title>Part Of The Bigger Thing - Installation view</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544626165534-JN09OU4NXJSNCI9S53HQ/DSCF9398.jpg</image:loc>
      <image:title>Part Of The Bigger Thing - Installation view</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544626019499-JUTIDL7XFYZM5PV2A9LH/DSCF9404.jpg</image:loc>
      <image:title>Part Of The Bigger Thing - Installation view</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544625955258-C9L6ABLF3E0O5FREFS6P/DSCF9402.jpg</image:loc>
      <image:title>Part Of The Bigger Thing - Installation view</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544626019289-8LV6733QFYAYU5GLZWDK/DSCF9403.jpg</image:loc>
      <image:title>Part Of The Bigger Thing - Installation view</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544625560252-UNFP1DP9ORXDZLTNE4I4/DSCF4426.jpg</image:loc>
      <image:title>Part Of The Bigger Thing</image:title>
      <image:caption>Photograph by Iain Lynn</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544625575878-4HXLZWAL2M6N6J9OQMKG/DSCF4432.jpg</image:loc>
      <image:title>Part Of The Bigger Thing</image:title>
      <image:caption>Photograph by Iain Lynn</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544625588751-4N48H1BPL4CU9Y8BFYMF/DSCF4442.jpg</image:loc>
      <image:title>Part Of The Bigger Thing</image:title>
      <image:caption>Photograph by Iain Lynn</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544625693704-5YP2EL66AH9XKITXFNLQ/DSCF4455.jpg</image:loc>
      <image:title>Part Of The Bigger Thing</image:title>
      <image:caption>Photograph by Iain Lynn</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544625699416-OSL6MMLD551CH0ZYP5OI/DSCF4460.jpg</image:loc>
      <image:title>Part Of The Bigger Thing</image:title>
      <image:caption>Photograph by Iain Lynn</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544625744975-6T5740AEKUC4L72FNKTS/DSCF4465.jpg</image:loc>
      <image:title>Part Of The Bigger Thing</image:title>
      <image:caption>Photograph by Iain Lynn</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1544625742490-RTS28BPTEK38QE3CZENR/DSCF4473.jpg</image:loc>
      <image:title>Part Of The Bigger Thing</image:title>
      <image:caption>Photograph by Iain Lynn</image:caption>
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  <url>
    <loc>https://www.euanlynn.com/starlight-castle</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1561552063411-3S2L85EXJVHC8W5H55ZO/DSCF9713.jpg</image:loc>
      <image:title>Starlight Castle</image:title>
      <image:caption>This work takes its name and form from the remains of a folly, located in Seaton Sluice and allegedly constructed within 24 hours. By incorporating a 24 hour field recording from the site, an audio recording documenting the construction of the work in the gallery, and a synthesiser self-generating noises of random pitch and timbre, the work investigates the power structures implicit in the commissioning of a useless building, and the value of labour performed by forgotten or invisible hands.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1561552063411-3S2L85EXJVHC8W5H55ZO/DSCF9713.jpg</image:loc>
      <image:title>Starlight Castle</image:title>
      <image:caption>This work takes its name and form from the remains of a folly, located in Seaton Sluice and allegedly constructed within 24 hours. By incorporating a 24 hour field recording from the site, an audio recording documenting the construction of the work in the gallery, and a synthesiser self-generating noises of random pitch and timbre, the work investigates the power structures implicit in the commissioning of a useless building, and the value of labour performed by forgotten or invisible hands.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/591c95ccb3db2be22a003bcc/1561557888633-2QCRRVLQVR2NVRTA7BG4/image-asset.jpeg</image:loc>
      <image:title>Starlight Castle - Starlight Castle (audio extract)</image:title>
      <image:caption />
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      <image:title>Starlight Castle - Starlight Castle</image:title>
      <image:caption>Digital photograph. 2019.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Starlight Castle - Installation view</image:title>
      <image:caption />
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      <image:title>Starlight Castle - Installation view</image:title>
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    <image:image>
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      <image:title>Starlight Castle - Installation view</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>Starlight Castle - Installation view</image:title>
      <image:caption />
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    <image:image>
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      <image:title>Starlight Castle - Installation view</image:title>
      <image:caption />
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    <image:image>
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      <image:title>Starlight Castle - Installation view</image:title>
      <image:caption />
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  </url>
  <url>
    <loc>https://www.euanlynn.com/newcastle-endless</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-15</lastmod>
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      <image:title>Newcastle, Endless</image:title>
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      <image:title>Newcastle, Endless</image:title>
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      <image:title>Newcastle, Endless</image:title>
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      <image:title>Newcastle, Endless</image:title>
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      <image:title>Newcastle, Endless</image:title>
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      <image:title>Newcastle, Endless</image:title>
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      <image:title>Newcastle, Endless</image:title>
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  <url>
    <loc>https://www.euanlynn.com/about</loc>
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    <priority>0.75</priority>
    <lastmod>2026-01-06</lastmod>
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